Hand-shaped through controlled experimentation, error, and intuition.

Our work began without fanfare, as a series of precise gestures made in private—a kitchen experiment, a material curiosity. Plastic, often overlooked, revealed itself slowly: a resistance, charged with memory, more valuable than we first imagined.Jewelry became our language. Not an ornament, but an investigation—a conversation between the material and the body. We shape each piece through heat, pressure, and time. The process is meticulous, controlled, yet open to surprise. Errors aren’t accidents; they’re evidence of intention.Our pieces don’t explain themselves—they invite contemplation. There is a quiet tension in every object, a subtle narrative of transformation that hints at something deeper: the unseen effort, the deliberate act, the forgotten history.We don’t claim sustainability. Instead, we propose a critical revaluation of materials that already exist. Each Rym piece holds a quiet dignity, a trace of something previously ignored now reconsidered, redefined.We continue to move between the boundaries of art, design, and daily life—exploring, questioning, and creating in quiet defiance of the predictable.